for the past two decades, ivan smagghe has perfected the art of making spaced-out clubbers dance, has ridden a fine line and run his label les disques de la mort. rupert cross is a london-based composer who has worked with michael finissy and julian anderson as well as writing music for television and theatre. before/after ma, an album which sat on the fringes of experimental music passed through an industrial particle accelerator. s&c give you the tracks codenamed timothy dalton (according to ivan, the laser sound in the track reminded us of flash gordon). neither pop, nor psychedelic, nor ambient, nor house, nor techno, nor post punk nor even new wave are spared, but none are singled out. to nurture this proto-album, the duo also called upon the talents of tim felton, the outstanding guitarist from the cult band broadcast.

das neue studioalbum des prämierten filmkomponisten timothy fife, ausgezeichnet für seine soundtracks zu den horror-movies -murder university- (2013) und -frankenstein’s wax museum of the hungry dead- (2013), enthält drei darke synth-monster mit einer laufzeit von 3 bis knapp 18 minuten länge. lp mit download-code und einem exklusiven bonustrack, limitiert in europa auf 250 stück.

timothy heretic’clerkin has a new record out. this new record is called serenade. it is out on ransom note records. it is three tracks from timothy and one remix from marlon hoffstadt. all four tracks are winners. they sound like the 90s remade by people too young to remember the shit bits. there are breakbeats. there are acid lines. there are weird samples about drugs. there are things that sound like orbital. there is no time wasted.

nice price deal !!!

repress !! following 2013s fantastical heat crime, tim further explores his unique take on house music with two original tracks which make stylistic nods to the past but lead us elatedly to a place of uncommon and personal vision. on the a side we have squiggles, a late night piece of tentacled whimsy. a joyful frolic in a fishy stream under the stars and in the japanese garden of your soul. like u want me 2 is a missive from yearning loins to a beloved recipient, whilst were both on earth in these fleshy suits.

aus music continue to bolster an ever expanding roster in uncovering an adroit and overlooked producer - the dublin born producer timothy blake. in amongst those in the know, blake is an artist whose reputation reaches back over 20 years and one whose releases have touched the likes of dirt crew, fatty fatty phonographics and kleine reise.

after seducing the likes of optimo, horse meat disco, rub n tug and bicep with their floor-friendly reworks of classic disco, funk and electro, the lads over at fatty fatty phonographics are expanding their repertoire with their first 12 inch of original material.

with releases on dirt crew, klein and soon fatty fatty, irishman timothy blake drops a 4 track ep on lectric sands that ranges from dancefloor friendly house with disco connotations to really different sounding, weird shit -according to a jet-setting dj. hand stamped white labels

following 2013s fantastical heat crime, tim further explores his unique take on house music with two original tracks which make stylistic nods to the past but lead us elatedly to a place of uncommon and personal vision. on the a side we have squiggles, a late night piece of tentacled whimsy. a joyful frolic in a fishy stream under the stars and in the japanese garden of your soul.

love, murder, passion…in the heat of the night what is unresolved comes to the fore. after our maiden voyage into the unknown last spring, on our continuing expedition we find ourselves entering into the fantastical world of a bedroom jockey with a sublimely over active imagination.

hard edged, stepping industrial techno ep.

on the a side the bee low remix is a masterpieceof a remix that aims at moving people with hypnotic, repetitive grooves and fierce build ups. flip over for the original timothy l version and chev chelios an intensive track you wont forget as it haunts you with its whirring synths, a driving synthetic beat and an almost melancholic feel

excellent funky house with mischa daniels mixes

complete anthology from margo guryan, recorded between 1956-1975. limited think-of-rain coloured triple vinyl in collectors box with 32-page booklet included.

complete anthology from margo guryan, recorded between 1956-1975. classic black triple vinyl in collectors box with 32-page booklet included.

mixtapes these days come a fraction of a penny a dozen and amid the inundation, a tiny ratio of these mixes truly deserves your precious time. the elusive british dj nommo hunzuu has pieced together one such essential collage for your ears with drinnen traum (translation: indoors dream). over an hour of painstaking aural weaving, nommo hunzuu lures you into his own distinctive aural universe that favors odd juxtapositions and immersive atmospheres laced with complementary film dialogue and gnomic declarations from culture icons like william s. burroughs and timothy leary.

pat one of the destination mannheim compilation

an illustrious list of collaborations on the new mixtape from the streets.

wundervolles hip hop album von birdy sanjazz and philo philta

at the spearhead of the music press, tsugi presents for the first time its selection in this vinyl chill-out from rone through baxter dury and modeselektor.

lp, gf, sticker, 50th anniversary re-edition with 4 page inlay including original manuscript by timothy leary and photos from the recording session, recorded 1972, original release: 1973, 2022 re-cut carefully overseen by manuel göttsching

italo moderni presents modernation vol.4

strong splatter coloured 3lp with big tracks from the harthouse cataolg!

the corpus vol.2 ep presents pearls of the label from past and present. the focus is on remixes of early digital releases, complemented by a brand new mix by timothy clerkin.

5x12 inch lp box

limited edition 2 x lp vinyl with 13 remixes and more than 78 minutes of music, comes in gatefold double colour sleeve with exclusive photographs from the film, extensive liner notes and japanese style obi strip

ltd reissue

yokocho stammt aus antwerpen, belgien, und hat den mantel des new beat geerbt und ihm seinen eigenen, unnachahmlichen stempel aufgedrückt!

der londoner soundtüftler und audiokünstler rico casazza veröffentlicht seine erste ep für insult to injury, das sublabel von ransom note records, das von timothy clerkin betrieben wird.

schwarzes standardvinyl (140g) inklusive 10inch booklet & downloadcode. art & design by eric timothy carlson.

an illustrious list of collaborations on the new mixtape from the streets.

8 remixes of inhalt’s commerce ep on double vinyl.

techno tracks with 90ties feeling

limited promo edition, hand stamped and housed in a white disco bag with a a4 printed insert info sheet. ltd. s/sided

limited edition of 200, hand stamped and numbered and housed in a white disco bag with a a4 printed insert info sheet. ltd. s/sided

ltd pic disc , original motion picture soundtrack from the walt disney classic “dumbo” on vinyl.

6 tracks for your electro set, comes with a timothy j. fairplay remix!

ida007 ist eine vinyl veröffentlichung mit dem titel -pagan rave ep- von den mitbegründern des labels uninc & kolomensky, die aus der aufstrebenden moskauer szene kommen.

triple vinyl in triple gatefold sleeve.

original motion picture soundtrack from the walt disney classic “dumbo” on vinyl.

the new ep from little dragon - and their first release for ninja tune - on black vinyl with download code included.

touch of loft wax 002 see’s label head nathaniel garry step out on the a-side with a club ready deep house dj tool. jacking percussion lays a solid groove as electric piano chords and deep pads set the mood, topped off with chopped up vocal samples to get the crowd pumping. london’s timothy clerkin serves up an ebm rave for his remix on the b-side, with a thumping kick drum and arpeggiator bassline sitting under twisted and warped vocals from the original. grab it. pop it in your dj bag. with the a-side for the warm up and the b-side for the peak time slot.

hot on the heels of their debut collaborative ep, ‘exosphere’ - which picked up plays from violet, tone dropout’s dawl, jacques renault and timothy clerkin among many others - corporeal face and bufobufo are back with new trax that distil their love of electro, hardcore and acid into a lethal compound. lead cut ‘bleep inside’ mixes old school b-boy breaks with a steely sheffield bassline, ‘genome’ is a swung out excursion into sub-heavy acid house, sydney beat machine jensen interceptor turns ‘bleep inside’ into a percolating electro killer, and ‘molecular cloud’ is the explosive 140bpm meeting pointwhere warehouse rave and electro collide.

“sincerely, s. love x” (the kiss is meant to be pronounced) is simon’s sophomore solo album (his 2015 debut “it seemed like a good idea at the time” was released on the brilliant, now sadly defunct fortuna pop label) and it features at least ten hits. proper pop hits, with elo harmonies, spectoresque production, strings and trumpets, the whole shebang. all recorded over the last two years in london, england. big city pop! the vinyl release includes a cd-copy of the album.

the lyon imprint hard fist strikes again with the collaborative princes of abzu ep, federating producers hailing from multiple horizons.

beneath the still waters of lonely sound there lays the ruins of howland abbey, its 3000lb bell still hanging in the belfry, only swayed by the currents of the regular tides across the estuary, over 100 years since it was rang by the order of carthusian monks who lived in the nearby priory. at the turn of the last century during a heavy storm the abbey was plundered by an unknown gang of marauders, as they left on horseback carrying with them all the gold from the abbey the sea defences around lonely sound were breached, flooding the abbey, priory and the surrounding land, the monks ran for dry land as they watched their beloved bell tower disappear beneath the rising waters, unable to chase the thieves, cut off as the water rose around them. some locals say these ransackers were in league with the elements, some say they had just intentionally damaged the sea defences before making their raid. local folk-law claims that the morning bells of the abbey can be heard ring out from beneath the murky waters of the sound every year on the anniversary of the great storm, ringing the peel that was never rung.